11/3/2023 0 Comments Session 9 onlineIt’s built with our best DH suspension package, a high. Because perhaps Session 9 SHOULD stand alone, draped in mystery and menace. Session 9 is a rowdy and ready downhill mountain bike with a robust alloy frame and high-pivot suspension design that keeps you nimble, planted, and blazing fast on even the most punishing runs. The special features certainly help one gain a further appreciation of the film, but even if Scream Factory gave us the shot-on-video movie bare bones, it would be fine. ![]() Luckily he trots out absolutely stunning footage he and his buddies shot in the building just after the movie was released, raiding the diseased, haunted halls and comparing scenes to the things they see. In this case, the Danvers has become a high-end condo and Clark cannot venture in. The other great new supplement is Sean Clark’s Session 9-centric episode of “Horror’s Hallowed Grounds” in which, as usual, Clark returns to the scene of the shoot. I have this feeling he’s, um, not an easy cat to navigate… First, there’s “Return to Danvers” in which virtually all the notable cast speak on the movie and its legacy. The new stuff they’ve commissioned is fantastic. Scream Factory port over a few features from previous Session 9 releases, including an Anderson commentary, some interesting but perfunctory deleted scenes and a vintage on-set making-of spot (which is fantastic and gives a real look at just how intense Caruso was at this point). Session 9 is truly a slow burning, sad and unforgettable nightmare caught on film, an ideal remedy for the endless homogenized, watered-down “jump scare” horror junk that belches out around us, seemingly daily. He’s aided by a much-imitated, atonal score by the band Climax Golden Twins, a series of backwards loops, noise and minimalist piano strikes that makes you feel as though something is wrong at all times.Īnd the last 15 minutes? Almost unbearably tense. ![]() None of it ends well and all of it is terrifying.Īnderson truly is a master of the genre, an architect of atmosphere whose long takes, slow zooms and obsession with the building’s natural decay create an aura of unease from frame one. As morale unravels so does Gordon’s already fragile state of mind. But when the hospital’s tortured history is slowly revealed, its influence begins to seep from the walls like the asbestos, lodging in their skin and their psyches. Obviously under pressure from the financial and psychological pressures of his new wife and baby, the stressed-out Gordon promises he and his men can clean the building in a week, something his team (which include a pre- CSI:Miami David Caruso and American Psycho‘s Josh Lucas) balks at.Įventually they relent and the team start their task. Brad Anderson’s chilling psychodrama sees the crew of the Hazmat Elimination Co., under the guidance of their boss Gordon (Peter Mullan), descend upon the long-dormant, monolithic Danvers hospital to do the unenviable job of carving out the poisonous asbestos.
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